A Night with Infinity Song

When I walked into the venue, I knew Infinity Song would deliver a great show, but I wasn’t prepared for just how extraordinary the experience would be. 

Performing in Sydney as part of their Metamorphosis tour, the band commanded the room from the first note, weaving together stunning vocals, impeccable harmonies, and masterful instrumentation. Each member radiated an undeniable charisma, seamlessly blending their talents to create a performance that was equal parts electrifying and intimate.

Their connection with the audience was magnetic—every gaze fixed, every ear drawn in. It wasn’t just their technical brilliance that stood out, but the raw emotion and authenticity that flowed through every note. The passion was palpable, the stories vivid, and the bond they shared as siblings brought a rare depth to their artistic expression.

I had the privilege of sitting down with Momo, Angel, Abraham, and Israel—the incredible siblings behind Infinity Song. What followed was a conversation filled with warmth, humour, and deep insights into their journey as a family band and their artistry.

How has the tour been so far?

Momo: It’s been a bit tough because of the time zone difference. The shows have been great and pretty chill since it’s just three shows over the course of a month. But the time zone has definitely been the hardest part.

Did you have any misconceptions about Australia before visiting?

Momo: I didn’t see a single spider!

Abraham: We approach places with an open mind, and Australia has exceeded our expectations.

What’s one thing you always pack in your suitcase when touring?

Israel: Pants! (laughs)

Momo: My cowboy boots and a pair of high heels—always!

If you could time travel to a different musical era, what would you want to experience firsthand?

Abraham: The ’70s or the ’90s. I’d love to experience the ’70s as a fan, but the ’90s would be amazing to work in—it was the golden age of music.

Israel: The ’60s are underrated. I think it was a fantastic decade for music.

Angel: The 1800s for classical music culture.

Momo: The jazz era of the 1920s would be incredible—seeing Ella Fitzgerald and Billie Holiday in action would be amazing. They laid the foundation for the music industry and for Black women in music.

So, we could drop each of you in a different decade!
What's one of the biggest misconceptions people have about being a family band?
I’d probably bump heads with my siblings a lot. Does that happen?

Israel: Not every day (laughs). We argue more when the stakes are extremely low. 

Momo: People assume it’s smooth sailing, but it’s far from perfect.

Abraham: But that's a part of the charm of it. 

Through the making music, have you ever discovered something new about each other? How did that experience shape your relationship? 

Abraham: Yes, we’ve learned to let each other cook. We all bring unique perspectives and strengths to the table. It’s important to respect each other’s creative process

Music often carries an emotional depth that resonates with both the creators and the listeners. How do you strike the balance between crafting songs that are deeply personal to you, while also making them relatable to a wider audience?

Angel: At our core, we all share similar emotions and desires. While every artist has their unique voice, the key is articulating those universal feelings in a fresh way. It’s less about inventing something completely new and more about expressing it in a way only you can.

Momo: Authenticity is key—songs lose impact if the emotion feels sterilised. 

Abraham: It’s about being believable. Believability is everything. Even if a song isn’t personal, it has to come from a genuine place. 

“Metamorphosis” is a deeply personal album, yet it’s so universal in its themes. How do you find the balance between vulnerability and storytelling in your music?

Angel: Vulnerability is a superpower for writers. Sharing details you might feel embarrassed about can create something truly relatable. For example, the line “first kiss at 25” from Slow Burn—it’s deeply personal but resonates with so many people.

“Hater’s Anthem” is bold and defiant. What inspired it?

Momo: It’s inspired by self-reflection during my “hater era.” The song is satirical but also honest about the complexity of those feelings—how superiority and inferiority complexes can harm both yourself and others.

Abraham: I don’t think Momo realised how therapeutic it would be for listeners. People find it funny but also deeply inspiring

Legacy is often a big topic within families— What does “legacy” mean to you as artists and siblings?

Israel: When I hear “legacy,” I think of my father—because as artists, we’re not standing alone; we didn’t just appear out of nowhere. He’s been building his legacy for decades. For us, it’s simple: we aim to be the greatest rock band of the next 10–15 years. Beyond music, we want to be encouraging, comforting, and just good people to listen to.

When people listen to your music, what do you hope they walked away with? 

Abraham: Our music serves many purposes, but at its core, it’s about creating a space for escape. Life is chaotic, and we aim to provide moments of joy and relief, both for our audience and ourselves.

Momo: For me, some songs are less about escape and more about facing yourself. Music has the power to make people feel seen and understood, and that’s what I aim for in my writing.

That’s why I love your music—it feels like listening to a diary. It’s relatable and so beautifully crafted.
Let’s end on a light note. What was the last show or movie you binge-watched?

Israel: The Sopranos.  

Abraham: Slow Horses—a great espionage series on Apple TV.

Momo: The Substance—such a thought-provoking commentary on beauty standards.

Angel: The new Wicked movie—I watched it twice!

If you could instantly master any skill, what would it be?

Momo: The piano! I love that. 

Israel: Basketball—I’d go straight to the NBA.

Abraham: Serial entrepreneurship.

Angel: Doing my taxes, but that’s too boring! (laughs)

Thank you so much for having us. Well, I'm quite looking forward to tonight's show. 

Metamorphosis Complete out now / See more from Infinity Song here / Directed, written and photographed by Reem Elnour


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